Christian Marclay walks a fine line between being entertaining and mundane. His work The Clock which has been a surprise international success closes it’s New York stint at the Paula Cooper Gallery this weekend. 'The Clock' which had its London debut at White Cube in Mason’s Yard in October and November is constructed out of moments in cinema when time is expressed or when a character interacts with a clock, watch or just a particular time of day. Marclay has excerpted thousands of these fragments and edited them so that they flow in real time. While 'The Clock' examines how time, plot and duration are depicted in cinema, the video is also a working timepiece that is synchronized to the local time zone.
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